Anomie Publishing’s Summer 2026 brochure is now available to view online and to download. It features recent and forthcoming titles, alongside highlights from our backlist.

The cover features a detail of Hotel Insomnia (2023) by Romanian painter Marius Bercea, whose paintings navigate the intersections of personal and collective memory, history and cultural identity. Bercea's forthcoming monograph, Five Years of Painting, presents a selection of his work from 2020 to 2025, offering an in-depth view of his recent practice through both critical and personal perspectives. Published by Anomie in association with Jecza Gallery and Jecza Foundation, it includes a new essay by curator and critic Diana Marincu, a conversation with the British painter Nick Goss, chaired by Thomas Marks, an interview with art historian and curator Liviana Dan, and a foreword by Matt Price.

Also new this season is Clyde Hopkins: Paintings on Paper, a monograph of the British painter, whose work occupies a distinctive position within the development of post-war abstraction. It brings together paintings produced between the early 1980s and the mid-1990s. The publication includes a foreword by Greg Rook and a conversation between David Ryan and David Sweet that reflects on Hopkins’ development and the range of influences informing his practice. Another new monograph, dedicated to the work of Oxford-based artist, Tom de Freston, features paintings and works on paper from his technically ambitious and visually arresting Poíēsis series (2023–25). The works emerged from an intensely personal passage of time. After a pregnancy loss in 2020 and six subsequent miscarriages, de Freston and his wife, the writer Kiran Millwood Hargrave, welcomed their daughter in 2023. Introductory texts are accompanied by an extended essay by art historian and writer, Matthew Holman, and an enlightening and intimate interview between de Freston and Millwood Hargrave. 

I Can See All The Colours Now is a substantial new monograph on Perth-born, London-based artist Tim Braden, which surveys twenty years of paintings and works on paper. Braden's work fuses realism and abstraction to explore travel, memory and cultural history. Co-published by Frestonian Gallery and Anomie Publishing, it includes new texts by Matt Incledon and Thomas Marks, alongside abridged writings by Jennifer Higgie and Dominic Molon. Abigail Reynolds’ Walking A Cappella, which will accompany the artist’s major two-part exhibition at Newlyn Art Gallery and the Exchange, Penzance. The exhibition explores the edges of the land – looking down into the geology beneath our feet and outward to the shifting border of the sea. The publication sequences Reynolds’ work intuitively and is interwoven with a dialogue between the artist and curator Sophie J. Williamson. 

To view or to download a copy of the Anomie Summer 2026 brochure, please click on the link above.