256pp, hardback, 220 x 165 mm
‘The Eleven Associates of Alma-Marceau’ is an oddly intoxicating, gently mind-blowing novel that follows a summer in the life of Adam King, a promising young British art student undertaking an internship at a contemporary art museum in Paris. A strange revelation in front of Leonardo’s Mona Lisa during an evening out with an unusual group of young people who are looking to change the world proves not only to be the cause of intense debate, but also a turning point in a series of interconnected events in which Adam finds himself caught up in much more than his own coming-of-age.
Against a backdrop of late capitalism, media and surveillance, ‘The Eleven Associates of Alma-Marceau’ not only asks questions about how people’s images, words and lives are given a platform, used and manipulated in the digital era, but also invites readers to question the very nature of what they perceive. Within this modern-day story about painting, visual communication and how creative ideas are responded to by society, Leonardo, of course, is still ahead of the game, more than five hundred years after his death…
The Old School Writers Circle is a group of friends who periodically meet up to discuss art, writing and books. The current members studied at the same school in Birmingham, UK, in the late 1980s and early 1990s, and now live in various locations around England. Famous literary alumni of the school include, somewhat eclectically, J.R.R. Tolkien, Lee Child and Jonathan Coe, all of whom are on the circle’s ever-growing list of influences. Projects can be serious as well as playful, confronting surprising and challenging themes through stories that do not necessarily fit squarely within conventional genres.
For their debut publication, ‘The Eleven Associates of Alma-Marceau’, the starting point was a shared love of Paris and The Louvre – inspired in part by numerous trips across the Channel by members of the circle over the past twenty-five years. The other driving force was the long-standing interest of circle member Matt Price in esoterica and unusual optical phenomena in the history of painting – ideas explored and brought together by the circle in the form of this curious, engaging and thought-provoking novel.
RRP: £20 / €25 / $30
UK release date: 06 February 2020
US release date: 20 February 2020
Written and edited by The Old School Writers Circle
Designed by Modern Activity
Published by Anomie Special Projects, an imprint of Anomie Publishing, London and Swindon
Images courtesy of Anomie Publishing, photography by Ossie Morris
96pp, paperback, 230 x 190 mm, c.60 images
Gareth Nyandoro is noted for his large works on paper, which often spill out of their two-dimensional format and into installations that include paper scraps and objects found in the street markets of Harare, where he lives and works. The artist’s primary source of inspiration is the rapidly changing urban and cultural panorama of Zimbabwe. Inspired by his training as a printmaker, and derived from etching, the artist’s distinctive technique, ‘Kucheka-cheka’, is named after the infinitive and present tense declinations of the Shona verb ‘cheka’, which means ‘to cut’. This, the artist’s first monograph, documents selected bodies of work created since 2015 and presented in exhibitions at venues including the Palais de Tokyo, Paris, Quetzal Art Centre, Portugal, Tiwani Contemporary, London, Modern Art Oxford, and the Rijksakademie van beeldende kunsten, Amsterdam.
The publication features an introduction by Adélaïde Blanc, who curated Nyandoro’s 2017 solo exhibition ‘Stall(s) of Fame’ at the Palais de Tokyo. The publication also includes a newly commissioned essay from Cape Town-based writer, critic, and editor Sean O’Toole, which discusses notions of ‘cutting’ and ‘spilling’ in Nyandoro’s practice against a backdrop of both Zimbabwe’s colonial past and ‘southern urbanism’ – city life in the global South.
Gareth Nyandoro was born in 1982 in Bikita, Zimbabwe. He lives and works in Harare, Zimbabwe. Recent solo exhibitions include ‘…Read All About’, Van Doren Waxter, New York (2018); ‘Stall(s) of Fame’, Palais de Tokyo, Paris (2017); ‘Stall(s) of Fame’, Tiwani Contemporary, London (2017). Selected group exhibitions include ‘Par Amour du Jeu’, Magasins Généraux, Paris (2018); ‘Drawing Africa on the Map’, Quetzal Art Centre, Portugal (2018); ‘Five Bhobh – Painting at the End of an Era’, Zeitz MOCAA, Cape Town (2018); ‘Kaleidoscope’, Modern Art Oxford (2016) and ‘Paper Cut’, Tiwani Contemporary, London (2016). Nyandoro won the FT/Oppenheimer Funds Emerging Voices award in 2016 and was a resident at the Rijksakademie van Beeldende Kunsten, Amsterdam, in 2014-15.
The publication, launched alongside a solo presentation of work by the artist at Art Basel Miami Beach in December 2019, is produced by Tiwani Contemporary with generous support from the A. G. Leventis Foundation, allowing for the production of artists’ books and their dissemination to libraries and institutions across the globe. Designed by Joe Gilmore, the publication is edited by Maria Varnava, Founding Director of Tiwani Contemporary, and Eva Langret, former director at Tiwani Contemporary, currently Artistic Director of Frieze London.
RRP: £24 / €30 / $35
UK release date: 23 January 2020
US release date: 13 February 2020
Edited by Maria Varnava and Eva Langret
Designed by Joe Gilmore / Qubik
Co-published by Tiwani Contemporary, London, and Anomie Publishing, London and Wiltshire
Images courtesy of: Tiwani Contemporary, London / Photography: Deniz Güzel; Van Doren Waxter, New York, NY / Photography: Charles Benton; The artist / Photography: Gareth Nyandoro studio; The Rijksakademie van beeldende kunsten, Amsterdam / Photography: Gert Jan van Rooij
Anomie Publishing’s spring/summer 2019 brochure is now available, featuring recent, new and forthcoming titles along with information about our backlist publications. On the cover this season is a detail from ‘Patio’ (2016), a painting by the much-admired Zambia-born British artist Jonathan Wateridge from his new monograph ‘Enclave / Expatria’. Wateridge is also one of forty artists featured in ‘The Anomie Review of Contemporary British Painting’ – an anthology documenting and celebrating national and international solo exhibitions by artists born or based in Britain which, since its release last autumn, has become an Amazon UK number one bestseller for contemporary art titles. Also released this season is ‘Greg Rook – Honyocker’, co-published by Anomie and Vento & Associati to coincide with a substantial mid-career survey exhibition of Rook’s work at the Fabbrica del Vapore in Milan this spring. Rook’s paintings lead us on an unforgettable journey through a world of colonies, communities, communes and cults.
To download a copy of the Anomie spring/summer 2019 brochure, please click on the image above.
200pp, hardback (clothbound with dust jacket), 290 x 245 mm, c.130 images
Jonathan Wateridge was born in Lusaka, Zambia, in 1972. Today he lives and works in Norfolk, UK. This, the artist’s first trade monograph, presents two significant bodies of work, ‘Enclave’ and ‘Expatria’. In these series, Wateridge returns to his childhood memories of growing up within the privileged white ex-pat communities of Zambia in the 1970s and 1980s, during the early years of the country’s independence from British rule. ‘Having grown up in an apparent world of sunshine and suburban pools, I sought to overlap those aspects of my formative experiences with the wider issues of the West’s post-colonial role,’ Wateridge has stated. His recent paintings, produced with the artist’s characteristic virtuosity and based on elaborate studio stage sets replete with a varied cast of actors, also seek to explore more lyrical figurative languages offered by the medium, adding to the uneasy dynamics that haunt these memorable and accomplished works.
This hardback monograph, designed by Peter B. Willberg, has been edited and authored by London-based independent curator, writer and art consultant Mark Sanders. The publication features an essay by Dr Gilda Williams, a London correspondent for Artforum who also teaches art writing on the MFA Curating programme at Goldsmiths College, University of London. Presenting over 130 paintings and details, this 200-page monograph is essential reading for anybody passionate about contemporary painting, and makes a valuable contribution to discussion of the post-colonial condition in the visual arts.
RRP: £40 / €50 / $55
UK release date: 27 June 2019
US release date: 8 August 2019
Edited by Mark Sanders
Designed by Peter B. Willberg
Published by Anomie, London and Wiltshire
The first trade monograph on the paintings of British artist Greg Rook, exploring ideas of escape, the wilderness and alternative lifestyles, from colonies and communities to communes and cults.
64pp, hardback, 255 x 195 mm, c. 50 images
The practice of Chelsea School of Art and Goldsmiths College graduate Greg Rook (b.1971, London) explores the rich visual history, curious cultural politics and often complex ideologies of those who seek to start a new life or wish to lead alternative lifestyles. From pioneers travelling to new continents to those wanting to stay put and live self-sufficiently, Rook invites us to join him on his own aesthetic and critical journey through a world of colonies, communities, communes and cults.
By means of figurative painting that pushes the boundaries between realism and lyricism, Rook captures something profoundly revealing in terms of the hopes, dreams and successes as well as the disappointments, disillusionment and disasters that radical departures from home life and mainstream society can entail. For some, utopias can turn to dystopias, the Romantic imaginary can turn to tragedy, the sublime can turn to misery. For those fleeing oppression, however, it can, on occasion, be completely the opposite – newfound freedom, affluence and happiness. Rook’s oeuvre, which incorporates cowboys and communists, agrarians and anarchists, believers and book-burners, depicts how the relationship between people and land is regularly fraught with issues, especially when migration and a clash of mindsets or ways of life is involved. What are brave new worlds for some are threatened old worlds for others…
This hardback publication, the first to be devoted to the work of Greg Rook, has been co-published by Vento & Associati and Anomie to coincide with a substantial mid-career survey exhibition of the artist’s work being staged by Vento & Associati at the Fabbrica del Vapore in Milan in spring 2019. Featuring approximately 50 illustrations of works made by Rook since 2006, along with an introduction by London and Milan-based critic and curator Michele Robecchi and a significant newly commissioned essay by Matt Price, the publication offers an engaging commentary on Rook’s long-standing painterly investigation into how people choose to live their lives.
Vento & Associati is a Milan-based company operating in global contexts that specializes in strategic cultural communication within fields such as public affairs, corporate and social responsibility, and cultural fundraising. Vento & Associati manages a programme of exhibitions at the Fabbrica del Vapore as part of the Spazi al Talento initiative of the City of Milan.
RRP: £25 / €30 / $35
UK release date: 23 May 2019
US release date: 27 June 2019
Designed by Joe Gilmore in association with Anomie
Co-published by Anomie, London and Wiltshire, and Vento & Associati, Milan
Anomie Publishing’s autumn/winter 2018 brochure is now online, featuring recent, new and forthcoming titles along with information about our backlist publications. On the cover this season is ‘Birthday Party’ (2017), a painting by talented London-based Scottish artist Caroline Walker from her forthcoming monograph ‘Picture Window’, co-published by Anomie and GRIMM, Amsterdam / New York. Walker is also one of forty artists featured in ‘The Anomie Review of Contemporary British Painting’ – an anthology documenting and celebrating national and international solo exhibitions by the invited artists staged in 2017. Also being published this autumn is ‘Emily Andersen – Portraits: Black & White’, a beautifully produced hardback monograph presenting photographs of celebrated bohemians, intellectuals and artists taken over the past 35 years by London-based RCA alumnus Emily Andersen.
To download a copy of the Anomie autumn/winter 2018 brochure, please click on the image above.
A monograph devoted to the black-and-white portraits of celebrated bohemians, intellectuals
and artists by one of Britain’s foremost photographers
120pp, hardback, 230 x 180 mm, c. 70 images
Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.
In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards.
Beyond capturing the essence of these figures and the times in which they are living, Andersen has a particular talent for entering into their private lives, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them.
Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Sunday Telegraph and The Economist. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; and The Barber Institute of Fine Arts, University of Birmingham. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.
This beautifully produced hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print. The cover image is of Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, London, 1989.
RRP: £30 / €35 / $40 (trade edition)
UK release date: 18 October 2018
US release date: 29 November 2018
Designed by Melanie Mues / Mues Design
Michael Caine, Langan’s Brasserie, London, 1990
Molly, Martha and Michael Nyman, London, 1990
Robert Alistair McAlpine, Baron McAlpine of West Green; Jane McAlpine, London, 1989
Martin and Mimi Richman, London, 1992
Louisa and Denys Lasdun, London, 1993
Stephen and Lola Frears, London, 1993
Diamanda Galás, London, 1993
Bill and Sanso, London, 1994
Anna and Eduardo Paolozzi, London, 1995
Cover image: Alejandro and Axel Jodorowsky, London, 1989
The most comprehensive monograph to date on one of the leading British painters of
312pp, softback, 290 x 232 mm, c. 170 images
Celebrated for her striking, sometimes playful yet often challenging paintings of contemporary women in diverse architectural settings, Caroline Walker explores myriad social, cultural,
economic, racial and political factors in her practice that affect women’s lives today. From the luxurious hotels of Los Angeles to the temporary social housing of female asylum seekers
arriving in Europe, from nail bars to the private pools and nighttime parties of the European elite, Walker deftly broaches both everyday and more provocative subjects ranging from the pay gap to migrant workforces, the beauty industry to domestic roles, gender stereotypes to ageism. By addressing such themes and through her painterly virtuosity, Walker is rapidly
becoming established as one of the leading British painters of her generation.
The publication features an essay and interview with the artist by art historian Marco Livingstone, along with a text by Andrew Nairne, director of Kettle’s Yard, University of Cambridge, addressing the series ‘Home’, depicting the lives of women in temporary accommodation in London. Dr. Rina Arya, a professor of visual culture at the University of Huddersfield, focusses in her text on Walker’s paintings of nail bars, while a text by Paris-based writer Dr. Lauren Elkin introduces Walker’s glimpsed scenes of women at work, whether in hair salons, restaurants or office buildings.
‘Picture Window’ is the most comprehensive publication to date on the work of London-based Scottish artist Caroline Walker (b. 1982, Dunfermline). A graduate of the Glasgow School of Art and the Royal College of Art, London, selected solo exhibitions include Kettle’s Yard, Cambridge; GRIMM, Amsterdam / New York; Anat Ebgi, Los Angeles; ProjectB, Milan; and Space K, Gwacheon.
Developed by GRIMM, Amsterdam / New York, and co-published with Anomie Publishing, UK, ‘Picture Window’ is beautifully illustrated by around 170 images including paintings, studies, drawings and photographs. The publication is being launched to coincide with a presentation of Walker’s works at Frieze London in autumn 2018.
RRP: £35 / €40 / $45
UK release date: 04 October 2018
US release date: 15 November 2018
Designed by GRIMM (Sebastiaan Brandsen & Tamara van Latum)
Co-published by Anomie, London and Wiltshire, and GRIMM, Amsterdam / New York
The paintings of 40 contemporary artists from Britain discussed through national and
international solo exhibitions of their work
160pp, softback, 280 x 210 mm, c. 160 images
There has been a huge injection of energy within contemporary painting in Britain in the past few years – part of a wider international dynamic that has seen the medium of paint explored with a renewed sense of interest, excitement and enjoyment. It is an energy that can be sensed all the way through the industry,from the art schools and the grass-roots painting community to the leading galleries, major museums and prominent festivals, biennials and art fairs. ‘The Anomie Review of Contemporary British Painting’ considers and celebrates the work of forty artists whose practices have been shaping and defining Britain’s contribution to current painting on the national and international stage.
The anthology documents the work of the invited artists by means of solo exhibitions in public museums and galleries, as well as in commercial, independent, university and artist-led spaces, both in Britain and abroad, during 2017. The publication presents around 160 images, including installation views from many of these exhibitions, giving both context and a sense of scale to the works.
The anthology features the work of forty artists at various stages in their careers, from high-profile, internationally renowned artists to up-and-coming names. Featured artists and exhibitions include: Tom Anholt at Mikael Andersen, Copenhagen; Gillian Carnegie at Cabinet, London; Peter Doig at Michael Werner, London, Kaye Donachie at Le Plateau, Frac Ile-de-France, Paris; Nick Goss at Josh Lilley, London; Lubaina Himid at Badischer Kunstverein, Karlsruhe; Ryan Mosley at Eigen + Art, Leipzig; Chris Ofili at Victoria Miro Venice; George Shaw at Maruani Mercier, Brussels; Raqib Shaw at The Whitworth, Manchester; Clare Woods at DCA, Dundee; Rose Wylie at Serpentine Galleries, London; and Lynette Yiadom-Boakye at the New Museum, New York.
The anthology has been compiled and written by Matt Price, who in addition to editing around fifty monographs, catalogues and books including Phaidon’s international anthologies of painting and drawing Vitamin P2 and D2, has written for magazines including Art Monthly, Art Quarterly, ArtReview, Flash Art, Frieze and Modern Painters.
RRP: £30 / €35 / $40
UK release date: 20 September 2018
US release date: 25 October 2018
Designed by Joe Gilmore / Qubik
Compiled and written by Matt Price
Published by Anomie
Cover image: © Tom Anholt, courtesy of Mikael Andersen, Copenhagen