Mariele Neudecker is a German-born, Bristol-based artist working at the crossover of art and science. Her multimedia practice, which incorporates sculpture, video, painting and sound, explores topics including perception, the environment and visual politics. The nineteenth-century German romantic sublime is a source of inspiration, as is Neudecker’s work with scientists, both as a guest artist on the Arts at CERN programme and on her trips to the Arctic and elsewhere.
This major monograph, published following the first ‘SEDIMENT’ exhibition at Limerick City Gallery of Art and coinciding with a new iteration at Hestercombe, Somerset, presents more than 200 works from a 35-year-long career and features contributions from Greer Crawley, Professor Klaus Dodds, Dominic Gray, Ariane Koek, Pontus Kyander, Úna McCarthy, Professor Kerstin Mey, James Peto and Alice Sharp. Read more