Jadé Fadojutimi’s sell-out publication ‘Jesture’ has been reprinted and is now available. This, the first published book on the work of celebrated London-based artist Jadé Fadojutimi, was produced by Pippy Houldsworth Gallery, London, to accompany Fadojutimi’s second solo exhibition with the gallery. Along with 31 colour images, it features a commissioned essay by writer, critic and editor-at-large of frieze magazine, Jennifer Higgie. Read more

With a career spanning more than five decades, Ian McKeever is one of Britain’s most senior artists working internationally. This publication documents the Henge paintings – a series started in 2017 and completed in 2022, inspired by prehistoric standing stones in Wiltshire, England, continuing the artist’s long-standing investigation into the possibilities of abstract painting. The publication, which accompanies exhibitions of selected works from the Henge paintings at Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut, features an essay by art historian and curator Paul Moorhouse, and an in-conversation between McKeever and curator and writer Dr Jon Wood. Read more

Anomie Publishing’s Spring 2022 brochure is now available to view online and to download, featuring recent and forthcoming titles along with information about our backlist publications. On the cover this season is Cabeza de Cristal III, 2021, one of the remarkable glass sculptural busts featured in the latest title from Manolo Valdés, one of the most significant post-war Spanish artists. Read more and download brochure

This large-format publication documents a body of sculptural works in glass and mixed media created in 2020-21 by internationally acclaimed, New York-based Spanish artist Manolo Valdés (b.1942, Valencia). The sculptures, which take inspiration from imagery and objects by twentieth-century masters such as Pablo Picasso, Henri Matisse and Constantin Brancusi as well as from myriad past civilisations, are abstracted, humanlike busts, created in a range of amber, ruby, emerald, sapphire and onyx colours, often accompanied by curious, eclectic appendages. The publication is authored by Dr Kosme de Barañano and designed by Peter B. Willberg. Read more

This, London-based painter Sarah Medway’s second publication from Anomie Publishing, presents a series of twenty-eight abstract paintings inspired by the River Thames. It features an introductory text by Sue Hubbard, an in-conversation with Anna McNay, and an illustrated chronology of the artist’s life and career. Read more

‘Journey of the Mind’ is a publication and travelling exhibition by Without Shape Without Form (WSWF), the UK’s first, and currently only, permanent Sikh art gallery. The publication and exhibition have been created to share the teachings of Sikhism through artworks and stories, and features text by Koi and artwork by Kanwar Singh. The cloth-bound hardback publication is co-published by Without Shape Without Form and Anomie Special Projects, and is being launched to coincide with the start of the exhibition tour at Library of Birmingham in November 2021. Read more

Anomie Publishing’s Autumn 2021 brochure is now available to view online and to download, featuring recent and forthcoming titles along with information about our backlist publications. On the cover this season is ‘Untitled (Seated Man)’, a painting in oil by the late Antiguan artist Frank Walter, whose exhibition at Ingleby Gallery has been staged for the Edinburgh Art Festival 2021. Read more and download brochure

Following the success of ‘The Anomie Review of Contemporary British Painting’, this new, second volume documents solo exhibitions staged since 2018 by sixty artists born or living in Britain. Featured artists and exhibitions include Hurvin Anderson at Rat Hole Gallery, Tokyo; Frank Bowling at Tate Britain; Lisa Brice at Stephen Friedman Gallery, London; Gareth Cadwallader at Josh Lilley, London; Denzil Forrester at Nottingham Contemporary; Sophie von Hellermann at Pilar Corrias, London; Matthew Krishanu at Midlands Arts Centre, Birmingham; Joy Labinjo at BALTIC, Gateshead; France-Lise McGurn at Simon Lee, London; Jenny Saville at Gagosian, New York; Anj Smith at MOSTYN, Llandudno; Tim Stoner at Modern Art, London; Phoebe Unwin at Towner Eastbourne, and many more. Read more

Mariele Neudecker is a German-born, Bristol-based artist working at the crossover of art and science. Her multimedia practice, which incorporates sculpture, video, painting and sound, explores topics including perception, the environment and visual politics. The nineteenth-century German romantic sublime is a source of inspiration, as is Neudecker’s work with scientists, both as a guest artist on the Arts at CERN programme and on her trips to the Arctic and elsewhere.

This major monograph, published following the first ‘SEDIMENT’ exhibition at Limerick City Gallery of Art and coinciding with a new iteration at Hestercombe, Somerset, presents more than 200 works from a 35-year-long career and features contributions from Greer Crawley, Professor Klaus Dodds, Dominic Gray, Ariane Koek, Pontus Kyander, Úna McCarthy, Professor Kerstin Mey, James Peto and Alice Sharp. Read more

Bill Woodrow (b.1948) and Richard Deacon (b.1949) have been making sculpture together since 1990. This book presents their shared sculptures and drawings, showcasing the work they have made together over the last thirty years, exhibition by exhibition. The introductory text, by Dr Jon Wood, explores the ways in which their shared sculptures and drawings have led them both into new artistic terrain, outside their individual practices. The publication has been released to coincide with an exhibition at Ikon gallery, Birmingham, UK, in autumn 2021. Read more